Texture paste allows me to work with relief — to create a surface that breathes and catches the light.
I love how it responds to touch — how shapes, cracks, and traces appear beneath my fingers, like imprints of time itself.
There is something deeply human in this materiality — the urge to feel, to leave a mark, to bring the surface to life.
I use paste not only as a foundation but as its own language — it holds movement, strength, and silence.
Sometimes I let it speak louder than color. Within its layers, memory emerges — of gesture, of presence, of the passing moment.
It lives in the rhythm of the moment — swift, deliberate, and sincere.
Each work is a search for balance between control and intuition, between chaos and form.
It is my inner diary — honest, alive, and constantly evolving.
Watercolor inks are deeply responsive to my temperament — to the rhythm of my hand and the movement of my inner spirit.
Each stroke becomes a reflection of my state of mind, revealing a subtle dialogue between intention and chance.
Through this dialogue, I explore not only the material but also myself. The essence of the technique lies in balance — between energy and restraint, clarity and emotion. It demands a high level of focus, self-discipline, and a sensitive awareness of water, pigment, and paper.
For me, watercolor inks are not just a medium, but a living substance — delicate, unpredictable, and endlessly alive